'In our Indian content, you always see the mother is presented a bit differently.' 'But in this show, the mother is the one who's most glamorous and she is the bombshell of the show.'
Is this a shot at patriarchy under the classic tale of mistaken identities? Or a humorous coming-of-age feminist tale as seen in last year's Barbie, wonders Mayur Sanap.
'You have to fight your own battles and I fought mine.'
Laxmi Goud, her son and daughter have created a Ram Mandir on Mumbai's Juhu beach.
'I know people tell me aur picture karo, but it's so difficult to find scripts that actually offer the audience something new.'
Steep yourself in the atmosphere of some of most revered Hindu temples in India.
Get ready to have your heart stolen, says Rediff.com's Hitesh Harisinghani.
'Ranbir helped me a lot with emotions and dialogues. As an actor, he makes us very secure.' 'He guides us with his experiences. He makes the work really, really easy and wonderful for his co-stars.'
The depiction of screechy jingoism within India-Pakistan dynamic is still a wet dream for Bollywood film-makers, observes Mayur Sanap.
Guntu Kaaram doesn't deliver on its basic promise: Entertainment, sighs Mayur Sanap.
51 Muslim couples took their wedding vows at a mass marriage ceremony in Agripada, south central Mumbai, on Sunday. Thousands gathered to witness the event.
Raveena Tandon is all set to sparkle in her new Web series Karmma Calling, where she plays the rich, glamorous and powerful Indrani Kothari, who has many secrets up her sleeve.
With clean blue waters and golden-white sands, these super beaches have a magic that is hard to keep away from.
India offers travel adventures no other country can offer.
'It is not easy to pull off a seven-part show because it is almost like making four films at once.'
'She is a very thoughtful actor.' 'She is in the industry not only because she is beautiful, but also because she is sensible.'
You can tuck into everything from spicy chaats to flavourful snacks to kebabs and, of course, desserts!
Safed is a lame attempt at social commentary, with terribly dull and thoughtless direction, observes Mayur Sanap.
'Any flight I take, the crew write personal notes to me, saying how good I was as Soudamini or Seema or Bulbul.'
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